A | B | C | D | E | F | G | H | ||
---|---|---|---|---|---|---|---|---|---|
1 | Grade 6 EALRS and EPS Scope and Sequence | ||||||||
2 | |||||||||
3 | |||||||||
4 | EALR 1 | The student understands and applies arts knowledge and skills. | |||||||
5 | Component 1.1 Understand arts concepts and vocabulary. | ||||||||
6 | Elements (pitch, rhythm, expression (dynamics, style, tempo, phrasing), timbre: | ||||||||
7 | Reads, writes, and creates using rythms including whole through sixteenth (notes and rests) (rhythm) | ||||||||
8 | Understands and uses staccato/legato, accent (expression) | ||||||||
9 | Identifies the following registers: soprano, alto, tenor, bass (timbre) | ||||||||
10 | |||||||||
11 | Vocal Only | Both | Instrumental Only | ||||||
12 | Theory: Rhythm | Dictation | Technique: Symbols,Terms | Rhythm and associated notation | Technique: Symbols,Terms | Articulation: Tounguing, Sluring | |||
13 | Theory: Note Values | Whole, Half, Quarter, Eighth | Theory: Rhythm | Count, Clap | |||||
14 | Rests of same value | Technique: Symbols,Terms | Dynamics: forte, piano, crescendo, | ||||||
15 | descrescendo | ||||||||
16 | Theory: Terms (Italian) | Dynamics: forte/piano,crescendo/ | |||||||
17 | descrescendo | ||||||||
18 | Musicality | Dynamics, Balance, Interpretation, | |||||||
19 | Expression, Style, Programming | ||||||||
20 | Technique: Phrasing | ||||||||
21 | Performance: Musicality | Dynamics, Balance | |||||||
22 | Interpretation, Expression | ||||||||
23 | Phrasing | ||||||||
24 | Technique: Symbols,Terms | Tempo: Andate, moderato, allegro | |||||||
25 | Theory: Terms (Italian) | Tempo: Speeds | |||||||
26 | Technique: Symbols,Terms | Time Signatures: 4/4, 3/4, 2/4, | |||||||
27 | Common Time | ||||||||
28 | Theory: Rhythm | Time Signature: 4/4, 3/4, 2/4 | |||||||
29 | |||||||||
30 | |||||||||
31 | |||||||||
32 | EALR 1 | The student understands and applies arts knowledge and skills. | |||||||
33 | Component 1.1 Understand arts concepts and vocabulary. | ||||||||
34 | Principles of Organization: notation, form, melody, harmony | ||||||||
35 | Identifies the following musical notation: Da Capo, D. C. al Fine, Dal Segno, 1st and 2nd ending, key signature and slur (notation) | ||||||||
36 | Writes and identifies notes in the bass clef (notation) | ||||||||
37 | Understands that steps and leaps create intervals (harmony) | ||||||||
38 | |||||||||
39 | |||||||||
40 | Vocal Only | Both | Instrumental Only | ||||||
41 | Theory: Grand Staff | Read and use octavo/score | Theory: Grand Staff | Treble and Bass, Note Names | Technique: Symbols/Terms | pick-up notes, multi-bar rest | |||
42 | Theory: Sight Singing | Solfege | Technique: Symbols/Terms | Treble and Bass Clefs | Key Signatures (Concert Major): | ||||
43 | Melodic Contour | Note Names | B-Flat, E-Flat | ||||||
44 | Fixed "Do" | Theory: Gen. Notation | Beat, staff, bar/measure, | ||||||
45 | bar line/measure line, fermata, tie | ||||||||
46 | Technique: Symbols/Terms | beat, staff, bar/measure, | |||||||
47 | bar line/measure line, fermata, tie breath | ||||||||
48 | Theory: Gen. Notation | 1st/2nd endings, d.c.alfine,natural, flat, | |||||||
49 | sharp, accidental, repeat sign | ||||||||
50 | Technique: Symbols/Terms | mark,slur, 1st/2nd endings, d.c.alfine, |
51 | natural, flat, sharp accidental, repeat | ||||||||
---|---|---|---|---|---|---|---|---|---|
52 | sign | ||||||||
53 | |||||||||
54 | |||||||||
55 | |||||||||
56 | EALR 1 | The student understands and applies arts knowledge and skills. | |||||||
57 | Component 1.2 Develop arts skills and techniques. | ||||||||
58 | Demonstrates listening skills by correcting personal tone and volume. | ||||||||
59 | Improvises a melodic phrase. | ||||||||
60 | |||||||||
61 | Vocal Only | Both | Instrumental Only | ||||||
62 | Vocal Producation | Diction: vowels, consonants | Vocal Producation | Posture | Technique: Tone Quality | emboucure, breath support | |||
63 | Tone Quality | Technique: Tone Quality | Appropriate posture | Technique: Tone Quality | Articulation | ||||
64 | Resonance | Vocal Producation | Breath Management | Technique: Listening for | Rhythimic Accuracy | ||||
65 | Intonation | Technique: Tone Quality | Proper breathing | Self-Evaluation | Effective Practice Strategies | ||||
66 | Voice Classification | Changing Voices: Male/Female | Vocal Producation | Pitch | Sight Reading | ||||
67 | Treble Voices | Technique: Listening for | Pitch Accuracy (incl. harmony/tuning) | Technique: Fine Motor Skills | Scales: B-Flat Major Concert Scale | ||||
68 | Listening/History | Listening for tempo | Fingering/Positions: | ||||||
69 | Listening for dynamics | Method book #1 | |||||||
70 | Listening for form | Percussion Special Needs: | |||||||
71 | 16th note | ||||||||
72 | closed roll | ||||||||
73 | flam paradiddle | ||||||||
74 | introduce triangle | ||||||||
75 | suspended cymbal | ||||||||
76 | tambourine | ||||||||
77 | Musicality | Instrument Assembly | |||||||
78 | Instrument Maintenance | ||||||||
79 | |||||||||
80 | |||||||||
81 | |||||||||
82 | Component 1.3 Understand and apply arts styles from various artists, cultures, and times. | ||||||||
83 | Identifies techniques from various artists, cultures, and/or times. | ||||||||
84 | |||||||||
85 | Vocal Only | Both | Instrumental Only | ||||||
86 | Listening/History | Examples of children's Choir | Listening/History | Historically significant composers and | |||||
87 | Examples of Quality choral music | their works | |||||||
88 | Examples of instrumental/orchestra | Cross-cultural music | |||||||
89 | music | American Music Styles | |||||||
90 | Listening/History | Historic Periods: Baroque, | Music History | Historically significant composers and | |||||
91 | Renaissance, Classical, Romantic | their works | |||||||
92 | Cross-cultural music | ||||||||
93 | American Music Styles | ||||||||
94 | Musical Forms: Theme and variation, | ||||||||
95 | round | ||||||||
96 | |||||||||
97 | |||||||||
98 | EALR 1 | The student understands and applies arts knowledge and skills. | |||||||
99 | Component 1.4 Apply audience skills in a variety of arts settings and performances | ||||||||
100 | Identifies how the audience and artist/performer interact. |
101 | |||||||||
---|---|---|---|---|---|---|---|---|---|
102 | EALR 2 | The student demonstrates thinking skills using artistic processes. | |||||||
103 | Component 2.1 Apply a creative process in arts: | ||||||||
104 | Conceptualize the context or purpose. | ||||||||
105 | Gather information from diverse sources. | ||||||||
106 | Develop ideas and techniques. | ||||||||
107 | Organize arts elements, forms, and or principles into a creative work. | ||||||||
108 | Reflect for the purpose of elaboration and self-evaluation. | ||||||||
109 | Refine work based on feedback. | ||||||||
110 | Present work to others. | ||||||||
111 | Applies previously learned arts concepts, vocabulary, skills an techniques through a creative process. | ||||||||
112 | Component 2.2 Apply a performance process in the arts: | ||||||||
113 | Identify audience and purpose. | ||||||||
114 | Select artistic work (repertoire) to perform. | ||||||||
115 | Analyze structure and background of work. | ||||||||
116 | Interpret by developing a personal interpretation of the work. | ||||||||
117 | Rehearse, adjust and refine through evaluation and problem solving. | ||||||||
118 | Present work for others. | ||||||||
119 | Reflect and evaluate. | ||||||||
120 | Applies previously learned arts concepts, vocabulary, skills an techniques through a performance process. | ||||||||
121 | |||||||||
122 | Vocal Only | Both | Instrumental Only | ||||||
123 | Performance Skills | Individual Accountability to Group | Musicality | Performing independent part within | |||||
124 | Presentation Skills | Individual Accountability to Group | band arrangement | ||||||
125 | Performance Skills | Group Accountability | Individual/Small Group opportunities | ||||||
126 | Presentation Skills | Group Accountability | such as solo, duet, trio, round, soli | ||||||
127 | Performance Skills | Stage Presence | Chorales will be introduced. | ||||||
128 | Presentation Skills | Stage Presence | Presentation Skills | Continuity | |||||
129 | Performance Skills | Performance Etiquette | |||||||
130 | Presentation Skills | Concert Etiquette | |||||||
131 | Performance Skills | Response to Conductor | |||||||
132 | Presentation Skills | Response to Conductor | |||||||
133 | |||||||||
134 | |||||||||
135 | |||||||||
136 | EALR 2 | The student demonstrates thinking skills using artistic processes. | |||||||
137 | Component 2.3 Apply a responding process to an arts presentation. | ||||||||
138 | Engage actively and purposefully. | ||||||||
139 | Describe what is seen and/or heard. | ||||||||
140 | Analyze how the elements are arranged and organized. | ||||||||
141 | Interpret based on descriptive properties. | ||||||||
142 | Evaluate using supportive evidence and criteria. | ||||||||
143 | Applies previously learned arts concepts, vocabulary, skill sand techniques through a responding process. | ||||||||
144 | |||||||||
145 | Vocal Only | Both | Instrumental Only | ||||||
146 | Performance: Critical | Effective Practice Strategies | |||||||
147 | Listening | Self-Evaluation | |||||||
148 | Group Evaluation | ||||||||
149 | |||||||||
150 |
151 | |||||||||
---|---|---|---|---|---|---|---|---|---|
152 | EALR 3 | The student communicates through the arts. | |||||||
153 | Component 3.1 Use the arts to express and present ideas and feelings. | ||||||||
154 | Identifies use and misuse (plagiarism) of pre-existing artistic works to communicate. | ||||||||
155 | Component 3.2 Use the arts to communicate for a specific purpose. | ||||||||
156 | Uses the arts to communicate for a specific purpose (e.g. to recourd history, persuade) | ||||||||
157 | Component 3.3 Develop personal aesthetic criteria to communicate artistic choices. | ||||||||
158 | Describe how aesthetic choices are influenced by historical context. | ||||||||
159 | |||||||||
160 | EALR 4 | The student makes connections within and across the arts to other disciplines, life, cultures, and work. | |||||||
161 | Component 4.1 Demonstrate and analyze the connections among the art disciplines. | ||||||||
162 | Describes arts processes that are unique to each arts discipline. | ||||||||
163 | Component 4.2 Demonstrate and analyze the connections among the arts and other content areas. | ||||||||
164 | Demonstrates that art concepts occur in other content areas. | ||||||||
165 | Component 4.3 Understand how the arts impact lifelong choices. | ||||||||
166 | Analyzes how the arts impact peer group choices. | ||||||||
167 | Component 4.4 Understand that the arts shape and reflect culture and history. | ||||||||
168 | Identifies specific attributes of artworks that reflect culture and history. | ||||||||
169 | Component 4.5 Demonstrate the knowledge of arts careers and the kowledge of rats skill sin the world of work. | ||||||||
170 | Identifies job specific skills for arts careers. | ||||||||
171 | Demonstrates collaborative skills. |
A | B | C | D | E | F | G | H | ||
---|---|---|---|---|---|---|---|---|---|
1 | Grade 7 EALRS, Benchmarks, and EPS Scope and Sequence | ||||||||
2 | |||||||||
3 | |||||||||
4 | EALR 1 | The student understands and applies arts knowledge and skills. | |||||||
5 | Component 1.1 Understand arts concepts and vocabulary. | ||||||||
6 | Elements (pitch, rhythm, expression (dynamics, style, tempo, phrasing), timbre: | ||||||||
7 | Reads, writes, and creates using rythms including whole through sixteenth (notes and rests) (rhythm) | ||||||||
8 | Understands and uses staccato/legato, accent (expression) | ||||||||
9 | Identifies the following registers: soprano, alto, tenor, bass (timbre) | ||||||||
10 | |||||||||
11 | Vocal Only | Both | Instrumental Only | ||||||
12 | Theory: Note Values | Sixteenth, Triplet, Swing, Rock | Technique: Symbols,Terms | Articulation: staccato,tenuto,legato | Technique: | Tempo: | |||
13 | Theory: Terms (Italian) | Tempo: Rit | Theory: Terms (Italian) | Staccato/Legato | Symbols,Terms | Adagio | |||
14 | Theory: General Notation | Song Form (ABA, AABA, etc) | Technique: Symbols,Terms | Rhythm and associated notation | Allegretto | ||||
15 | Theory: Rhythm | Count, Clap, Write | Maestoso | ||||||
16 | Technique: Symbols,Terms | Syncopation | Rallentando | ||||||
17 | Theory: Rhythm | Syncopation | Accelerando | ||||||
18 | Technique: Symbols,Terms | Time Signatures: Cut, 2/2, 6/8 | Retardando | ||||||
19 | Theory: Rhythm | Time Signature: 2/2,6/8, Cut Time | |||||||
20 | Technique: Symbols,Terms | Dynamics: mezzo piano, mezzo forte | |||||||
21 | Theory: Terms (Italian) | Dynamics: ff, pp, mp, mf | |||||||
22 | Musicality | Dynamics, Balance | |||||||
23 | Interpretation, Expression | ||||||||
24 | Style, Programming | ||||||||
25 | Performance: Musicality | Dynamics, Balance | |||||||
26 | Interpretation, Expression | ||||||||
27 | Phrasing | ||||||||
28 | |||||||||
29 | |||||||||
30 | EALR 1 | The student understands and applies arts knowledge and skills. | |||||||
31 | Component 1.1 Understand arts concepts and vocabulary. | ||||||||
32 | Principles of Organization: notation, form, melody, harmony | ||||||||
33 | Identifies the following musical notation: Da Capo, D. C. al Fine, Dal Segno, 1st and 2nd ending, key signature and slur (notation) | ||||||||
34 | Writes and identifies notes in the bass clef (notation) | ||||||||
35 | Understands that steps and leaps create intervals (harmony) | ||||||||
36 | |||||||||
37 | Vocal Only | Both | Instrumental Only | ||||||
38 | Theory: Grand Staff | Read and use octavo/score - 2-3 parts | Technique: | First songs in minor key, Key Change | |||||
39 | Theory: Sight Singing | Movable "Do" and #s | Symbols and Terms | Enharmonics | |||||
40 | Major Scale | ||||||||
41 | D.S. al fine | ||||||||
42 | simelie | ||||||||
43 | measure repeat | ||||||||
44 | Key Signatures (Concert Major): | ||||||||
45 | A-Flat, F, C, Minor | ||||||||
46 | Note Names | ||||||||
47 | |||||||||
48 | |||||||||
49 | |||||||||
50 | EALR 1 | The student understands and applies arts knowledge and skills. |
51 | Component 1.2 Develop arts skills and techniques. | ||||||||
---|---|---|---|---|---|---|---|---|---|
52 | Demonstrates listening skills by correcting personal tone and volume. | ||||||||
53 | Improvises a melodic phrase. | ||||||||
54 | Vocal Only | Both | Instrumental Only | ||||||
55 | Vocal Producation | Resonance | Listening: | Pitch Accuracy (incl harmony/ | |||||
56 | Intonation | Self Evaluation | tuning) | ||||||
57 | Pitch | Rhythmic Accuracy | |||||||
58 | Posture | Musicality | Instrument Assembly | ||||||
59 | Diction: vowels, consonants | Instrument Maintenance | |||||||
60 | Tone Quality | Coordination of Fine | Scales: E-Flat, A-Flat, C Major, | ||||||
61 | Breath Management | Motor Skills | Chromatic Scale (at least an octave) | ||||||
62 | Voice Classification | Changing Voices: Male/Female | Scale | ||||||
63 | Treble Voices | Fingering/Position: Method Book #2 | |||||||
64 | Listening/History | Listening for tempo | Percussion Special Needs: Double | ||||||
65 | Listening for dynamics | bounce, flamadiddle, double paradiddle | |||||||
66 | Listening for form | drag, timpani (incl. roll), triangle, | |||||||
67 | flam accent, flam tap | ||||||||
68 | |||||||||
69 | EALR 1 | The student understands and applies arts knowledge and skills. | |||||||
70 | Component 1.3 Understand and apply arts styles from various artists, cultures, and times. | ||||||||
71 | Identifies techniques from various artists, cultures, and/or times. | ||||||||
72 | Vocal Only | Both | Instrument Only | ||||||
73 | Listening/History | Examples of children's Choir | Listening/History | Historically significant composers and | |||||
74 | Examples of Quality choral music | their works | |||||||
75 | Examples of instrumental/orchestra | Cross-cultural music | |||||||
76 | music | American Music Styles | |||||||
77 | Historic Periods: Baroque, Renaissance, | Music History | Historically significant composers and | ||||||
78 | Classical, Romantic | their works | |||||||
79 | Cross-cultural music | ||||||||
80 | American Music Styles | ||||||||
81 | Musical Forms: Theme and variation, | ||||||||
82 | round | ||||||||
83 | |||||||||
84 | |||||||||
85 | EALR 1 | The student understands and applies arts knowledge and skills. | |||||||
86 | Component 1.4 Apply audience skills in a variety of arts settings and performances | ||||||||
87 | Identifies how the audience and artist/performer interact. | ||||||||
88 | |||||||||
89 | EALR 2 | The student demonstrates thinking skills using artistic processes. | |||||||
90 | Component 2.1 Apply a creative process in arts: | ||||||||
91 | Conceptualize the context or purpose. | ||||||||
92 | Gather information from diverse sources. | ||||||||
93 | Develop ideas and techniques. | ||||||||
94 | Organize arts elements, forms, and or principles into a creative work. | ||||||||
95 | Reflect for the purpose of elaboration and self-evaluation. | ||||||||
96 | Refine work based on feedback. | ||||||||
97 | Present work to others. | ||||||||
98 | Applies previously learned arts concepts, vocabulary, skills and techniques through a creative process. | ||||||||
99 | Component 2.2 Apply a performance process in the arts: | ||||||||
100 | Identify audience and purpose. |
101 | Select artistic work (repertoire) to perform. | ||||||||
---|---|---|---|---|---|---|---|---|---|
102 | Analyze structure and background of work. | ||||||||
103 | Interpret by developing a personal interpretation of the work. | ||||||||
104 | Rehearse, adjust and refine through evaluation and problem solving. | ||||||||
105 | Present work for others. | ||||||||
106 | Reflect and evaluate. | ||||||||
107 | Applies previously learned arts concepts, vocabulary, skills and techniques through a performance process. | ||||||||
108 | |||||||||
109 | Vocal Only | Both | Instrumental Only | ||||||
110 | Performance Skills | Group Accountability | Musicality | Performing independent part | |||||
111 | Individual Accountability to Group | within band arrangement | |||||||
112 | Stage Presence | Individual/Small Group opprotunities | |||||||
113 | Performance Etiquette | such as: solo, duet, trio, round, soli | |||||||
114 | Response to Conductor | Chorales will be introduced. | |||||||
115 | Presentation Skills | Stage Presence | |||||||
116 | Concert Etiquette | ||||||||
117 | Response to Conductor | ||||||||
118 | Continuity | ||||||||
119 | Individual Accountability to Group | ||||||||
120 | Group Accountability | ||||||||
121 | |||||||||
122 | EALR 2 | The student demonstrates thinking skills using artistic processes. | |||||||
123 | Component 2.3 Apply a responding process to an arts presentation. | ||||||||
124 | Engage actively and purposefully. | ||||||||
125 | Describe what is seen and/or heard. | ||||||||
126 | Analyze how the elements are arranged and organized. | ||||||||
127 | Interpret based on descriptive properties. | ||||||||
128 | Evaluate using supportive evidence and criteria. | ||||||||
129 | Applies previously learned arts concepts, vocabulary, skills and techniques through a responding process. | ||||||||
130 | |||||||||
131 | Vocal Only | Both | Instrumental Only | ||||||
132 | Performance: Critical | Effective Practice Strategies | |||||||
133 | Listening | Self-Evaluation | |||||||
134 | Group Evaluation | ||||||||
135 | |||||||||
136 | |||||||||
137 | EALR 3 | The student communicates through the arts. | |||||||
138 | Component 3.1 Use the arts to express and present ideas and feelings. | ||||||||
139 | Identifies use and misues (plagiarism) of pre-existing artistic works to communicate. | ||||||||
140 | Component 3.2 Use the arts to communicate for a specific purpose. | ||||||||
141 | Uses the arts to communicate for a specific prupose (e.g. to record history, persuade) | ||||||||
142 | Component 3.3 Develop personal aesthetic criteria to communicate artistic choices. | ||||||||
143 | Describe how aesthetic choices are invludence by historical context. | ||||||||
144 | |||||||||
145 | EALR 4 | The student makes connections within and across the arts to other disciplines, life, cultures, and work. | |||||||
146 | Component 4.1 Demonstrate and analyze the connections among the art disciplines. | ||||||||
147 | Describes arts processes that are unique to each arts discipline. | ||||||||
148 | Component 4.2 Demonstrate and analyze the connections among the arts and other content areas. | ||||||||
149 | Demonstrates that art concepts occur in other content areas. | ||||||||
150 | Component 4.3 Understand how the arts impact lifelong choices. |
151 | Analyzes how the arts impact peer group choices. | ||||||||
---|---|---|---|---|---|---|---|---|---|
152 | Component 4.4 Understand that the arts shape and reflect culture and history. | ||||||||
153 | Identifies specific attributes of artworks that reflect culture and history. | ||||||||
154 | Component 4.5 Demonstrate the knowledge of arts careers and the kowledge of arts skills in the world of work. | ||||||||
155 | Identifies job specific skills for arts careers. | ||||||||
156 | Demonstrates collaborative skills. |
A | B | C | D | E | F | G | H | ||
---|---|---|---|---|---|---|---|---|---|
1 | Secondary Music | ||||||||
2 | Grade 8 EALRS, Benchmarks, and EPS Scope and Sequence | ||||||||
3 | |||||||||
4 | EALR 1 | The student understands and applies arts knowledge and skills. | |||||||
5 | Component 1.1 Understand arts concepts and vocabulary. | ||||||||
6 | Elements: pitch, rhythm, epression (dynamics,style, tempo, phrasing), timbre | ||||||||
7 | Explains and applies concepts of music using art vocabulary. | ||||||||
8 | Reads, writes, and creates using dotted rhythms (rhythm) | ||||||||
9 | Understands and uses tempo markings (i.e. loargo, andante, alegro, preso, ritardando, accelerando) (expression) | ||||||||
10 | |||||||||
11 | Vocal Only | Both | Instrumental Only | ||||||
12 | Theory: Note Values | Advanced Combinations of | Technique: Phrasing | Rhythm and associated notation | |||||
13 | Whole, Half, Quarter, Eighth, | Technique: Symbols, | Dynamics: fortissimo, piannissimo, | ||||||
14 | Sixteenth, Triplet, Swing, Rock | Terms | forte-piano, sfz | ||||||
15 | note and rest values | Tempo: Andantino, Largo | |||||||
16 | Theory: Rhythm | Advanced Combinations of | |||||||
17 | Dictation and Syncopation | ||||||||
18 | Rythms | ||||||||
19 | Advanced Combinations of 4/4, | ||||||||
20 | 3/4, 2/4, 2/2, 6/8, Cut Time, | ||||||||
21 | Time Signatures | ||||||||
22 | Theory: Terms (Italian) | Advanced Combinations of | |||||||
23 | Dynamics | ||||||||
24 | Tenute | ||||||||
25 | Performance: Musicality | Dynamics, Balance | |||||||
26 | Interpretation, Expression | ||||||||
27 | Phrasing | ||||||||
28 | |||||||||
29 | |||||||||
30 | EALR 1 | The student understands and applies arts knowledge and skills. | |||||||
31 | Component 1.1 Understand arts concepts and vocabulary. | ||||||||
32 | Principles of Organization: notation, form,melody, harmony. | ||||||||
33 | Explains and applies concepts of music using art vocabulary. | ||||||||
34 | Recongnizes and interprets musical symbols and otation appropriate to music rehearse and perfomred (notation) | ||||||||
35 | Visually and aurally recognizes and explains the form of music rehearsed and performed (form) | ||||||||
36 | Understands that melodies can be accompanied by chordal progression (harmony) | ||||||||
37 | |||||||||
38 | Vocal Only | Both | Instrumental Only | ||||||
39 | Theory: Grand Staff | Read and Use Octavo/score - | Technique: Symbols/ | Counter Melody, | |||||
40 | 3 to 4 parts | Terms | Natural/harmonic/melodic minor, | ||||||
41 | Theory: Sight Singing | Key Signatures and Key Changes | cantabile | ||||||
42 | Dynamics: fortissimo, pianissimo | Key Signatures (Concert Major): D-Flat, G | |||||||
43 | Note Names | ||||||||
44 | Dynamics, Balance, Interpretation, | ||||||||
45 | Expression, Style, Programming | ||||||||
46 | |||||||||
47 | |||||||||
48 | EALR 1 | The student understands and applies arts knowledge and skills. | |||||||
49 | Component 1.2 Develop arts skills and techniques. | ||||||||
50 | Plays and/or sings using characteristic tonal production (i.e. resonance, vowel placement) |
51 | Understands and applies expressive elements in music rehearsed and performed. | ||||||||
---|---|---|---|---|---|---|---|---|---|
52 | Demonstrates reading and listening skills by correcting personal errors in pitch, rhythm. | ||||||||
53 | Performs music of varying styles and genres. | ||||||||
54 | Performs individually or in small ensemble. | ||||||||
55 | |||||||||
56 | Vocal Only | Both | Instrumental Only | ||||||
57 | Vocal Producation | Resonance | Vocal Producation | Tone Quality | Technique: Tone Quality | Emboucure, breath support | |||
58 | Intonation | Technique: Tone Quality | Articulation | ||||||
59 | Diction: vowels, consonants | Vocal Producation | Pitch | Technique: Listening for | Rhythimic Accuracy | ||||
60 | Voice Classification | Changing Voices: Male/Female | Technique: Listening for | Pitch Accuracy (incl. harmony/tuning) | Self-Evaluation | Effective Practice Strategies | |||
61 | Treble Voices | Vocal Producation | Posture | Sight Reading | |||||
62 | Listening/History | Listening for tempo | Technique: Tone Quality | Appropriate posture, | Technique: Fine Motor | Scales (concert): D-Flat, G Major | |||
63 | Listening for dynamics | Vocal Producation | Breath Management | Skills | Fingering/Positions: Methods books #3 | ||||
64 | Listening for form | Technique: Tone Quality | Proper breathing | Alternative fingering | |||||
65 | Use of 3rd valve slides | ||||||||
66 | Trills (required for woodwinds; | ||||||||
67 | recommended for brass) | ||||||||
68 | Grade Notes | ||||||||
69 | Musicality | Instrument Assembly | |||||||
70 | Instrument Maintenance | ||||||||
71 | |||||||||
72 | EALR 1 | The student understands and applies arts knowledge and skills. | |||||||
73 | Component 1.3 Understand and apply arts styles from various artists, cultures, and times. | ||||||||
74 | Applies techniques from various artists, cultures, and/or times. | ||||||||
75 | |||||||||
76 | Vocal Only | Both | Instrumental Only | ||||||
77 | Listening/History | Examples of children's Choir | Listening/History | Historically significant composers and | |||||
78 | Examples of Quality choral music | their works | |||||||
79 | Examples of instrumental/orchestra | Cross-cultural music | |||||||
80 | music | Historic Periods: Baroque, Renaissance, | |||||||
81 | Classical, Romantic | ||||||||
82 | American Music Styles | ||||||||
83 | Music History | Historically significant composers and | |||||||
84 | their works | ||||||||
85 | Cross-cultural music | ||||||||
86 | American Music Styles | ||||||||
87 | Musical Forms: Theme and variation, | ||||||||
88 | rounds | ||||||||
89 | |||||||||
90 | |||||||||
91 | EALR 1 | The student understands and applies arts knowledge and skills. | |||||||
92 | Component 1.4 Apply audience skills in a variety of arts settings and performances. | ||||||||
93 | Understands and demonstrates the relationship of the arts/performer and audience. | ||||||||
94 | |||||||||
95 | EALR 2 | The student demonstrates thinking skills using artistic processes. | |||||||
96 | Component 2.1 Apply a creative process in arts: | ||||||||
97 | Conceptualize the context or purpose. | ||||||||
98 | Gather information from diverse sources. | ||||||||
99 | Develop ideas and techniques. | ||||||||
100 | Organize arts elements, forms, and or principles into a creative work. |
101 | Reflect for the purpose of elaboration and self-evaluation. | ||||||||
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102 | Refine work based on feedback. | ||||||||
103 | Present work to others. | ||||||||
104 | Develops work using a creative process with instructor assistance. | ||||||||
105 | Applies previously learned arts concepts, vocabulary, skills and techniques through creative process. | ||||||||
106 | Component 2.2 Apply a performance process in the arts: | ||||||||
107 | Identify audience and purpose. | ||||||||
108 | Select artistic work (repertoire) to perform. | ||||||||
109 | Analyze structure and background of work. | ||||||||
110 | Interpret by developing a personal interpretation of the work. | ||||||||
111 | Rehearse, adjust and refine through evaluation and problem solving. | ||||||||
112 | Present work for others. | ||||||||
113 | Reflect and evaluate. | ||||||||
114 | Develops works using a performance process with instructor assistance. | ||||||||
115 | Applies previously learned arts concepts, vocabulary, skills and techniques through a performance process. | ||||||||
116 | |||||||||
117 | Vocal Only | Both | Instrumental Only | ||||||
118 | Performance Skills | Individual Accountability to Group | Presentation Skills | Continuity | |||||
119 | Presentation Skills | Individual Accountability to Group | Musicality | Performing independent part within band | |||||
120 | Performance Skills | Group Accountability | arrangement | ||||||
121 | Presentation Skills | Group Accountability | Individual/Small Group opportunities such | ||||||
122 | Performance Skills | Stage Presence | as: solo, duet, trio, round, soli | ||||||
123 | Presentation Skills | Stage Presence | Chorales will be introduced. | ||||||
124 | Performance Skills | Performance Etiquette | Brass should be introduced to mutes | ||||||
125 | Presentation Skills | Concert Etiquette | by 3rd year. | ||||||
126 | Performance Skills | Response to Conductor | |||||||
127 | Presentation Skills | Response to Conductor | |||||||
128 | |||||||||
129 | |||||||||
130 | |||||||||
131 | EALR 2 | The student demonstrates thinking skills using artistic processes. | |||||||
132 | Component 2.3 Apply a responding process to an arts presentation. | ||||||||
133 | Engage actively and purposefully. | ||||||||
134 | Describe what is seen and/or heard. | ||||||||
135 | Analyze how the elements are arranged and organized. | ||||||||
136 | Interpret based on descriptive properties. | ||||||||
137 | Evaluate using supportive evidence and criteria. | ||||||||
138 | Applies a responding process to an arts presentation with instructor assistance. | ||||||||
139 | Applies previously learned arts concepts, vocabulary, skills and techniques through a responding process. | ||||||||
140 | |||||||||
141 | Vocal Only | Both | Instrumental Only | ||||||
142 | Performance: Critical | Effective Practice Strategies | |||||||
143 | Listening | Self-Evaluation | |||||||
144 | Group Evaluation | ||||||||
145 | |||||||||
146 | |||||||||
147 | EALR 3 | The student communicates through the arts. | |||||||
148 | Component 3.1 Use the arts to express and present ideas and feelings. | ||||||||
149 | Express ideas and feelings through the arts in a variety of styles. | ||||||||
150 | Describes use and misuse of preexisting artistic works to communicate. |
151 | Component 3.2 Use the arts to communicate for a specific purpose. | ||||||||
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152 | Creates and/or performs an artwork to communicate for a selected prupose with isntructor assistance. | ||||||||
153 | Component 3.3 Develop personal aesthetic criteria to communicate artistic choices. | ||||||||
154 | Explains how personal aesthetic choices are influenced by culture and history. | ||||||||
155 | |||||||||
156 | EALR 4 | The student makes connections within and across the arts to other disciplines, life, cultures, and work. | |||||||
157 | Component 4.1 | Demonstrate and analyze the connections among the art disciplines. | |||||||
158 | Compares and contrasts attributes of personal artwork with other arts disciplines. | ||||||||
159 | Component 4.2 | Demonstrate and analyze the connections among the arts and other content areas. | |||||||
160 | Explains relationships between the arts and other content areas. | ||||||||
161 | Component 4.3 | Understand how the arts impact lifelong choices. | |||||||
162 | Analyzes how the arts impact choices in natural and constructed environments. | ||||||||
163 | Component 4.4 | Understand that the arts shape and reflect culture and history. | |||||||
164 | Compares and contrasts attributes of personal artwork that reflect culture and history. | ||||||||
165 | Component 4.5 | Demonstrate the knowledge of arts careers and the kowledge of rats skill sin the world of work. | |||||||
166 | Describes work habits nd skills needed for career in the arts. | ||||||||
167 | Explains how art skills and knowledge are used in the world of work. |