| | | | | | | | | | | | | | | |
The boy and I face each other.
| | | | | | | | | | | |
His feet are huge, in black sneakers
| | | | | | | | | | |
laced with white in a complex pattern like a
| | | | | | | | | |
a set of intentional scars. We are stuck on
| | | | | | | | | |
opposite sides of the car, a couple of
| | | | | | | | | | |
molecules stuck in a rod of light
| | | | | | | | | | | |
rapidly moving through darkness. He has the
| | | | | | | | | |
casual cold look of a mugger,
| | | | | | | | | | | |
alert under hooded lids. He is wearing
| | | | | | | | | | |
red, like the inside of the body
| | | | | | | | | | | |
exposed. I am wearing dark fur, the
| | | | | | | | | | |
whole skin of an animal taken and
| | | | | | | | | | |
used. I look at his raw face,
| | | | | | | | | | | |
he looks at my fur coat, and I didn't
| | | | | | | | | | |
know if I am in his power-
| | | | | | | | | | | | |
he could take my coat so easily, my
| | | | | | | | | | |
briefcase, my life-
| | | | | | | | | | | | | |
of if he is in my power, the way I am
| | | | | | | | | | |
living off his life, eating the steak
| | | | | | | | | | |
he does not eat, as if I am taking
| | | | | | | | | | |
the food from his mouth. And he is black
| | | | | | | | | |
and I am white, and without meaning or
| | | | | | | | | | |
trying to I must profit from his darkness,
| | | | | | | | | |
the way he absorbs the murderous beams of the
| | | | | | | | |
nation's heart, as black cotton
| | | | | | | | | | | |
absorbs the heat of the sun and holds it. There is
| | | | | | | | |
no way to know how easy this
| | | | | | | | | | | |
white skin makes my life, this
| | | | | | | | | | | |
life he could take so easily and
| | | | | | | | | | | |
break across his knee like a stick the way
| | | | | | | | | |
his own back is being broken, the
| | | | | | | | | | |
rob of his soul that at birth was dark and
| | | | | | | | | |
fluid and rich as the heart of a seedling
| | | | | | | | | | |
ready to thrust up into any available light.
| | | | | | | | | |